'Many Worlds' 2024...Pastel on 300-gram watercolour paper x 10...30cm x 42cm
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The finishing event at @tremenheeresculpturegardens gallery was a great success. Barbara and I had a fantastic time showcasing a spontaneous drawing performance. We used my scallop shell plaster as a unique drawing medium and Barbara's delicate charcoal sticks from her Wander-Land work 'Stepping Stone Bridges'.
@wanderland2023
With special thanks to @beyer.ba for a wonderful time and Julia Lametta @julialametta for these brilliant images.
With thanks to @nicola_anthony for the wonderful video and images of the event.
@wanderland2023
With special thanks to @beyer.ba for a wonderful time and Julia Lametta @julialametta for these brilliant images.
With thanks to @nicola_anthony for the wonderful video and images of the event.
Cloud Factory 2023
My work remains rooted in engineering. It’s the hidden technology that interests me, the things that surround us that you never really notice until they reveal themselves in that single moment. Living near Avonmouth for most of my life, allowed me to explore this alien industrial landscape of structures and factories that sit in a vista untouched for thousands of years. It was sunrise early in the morning, the wind was non-existent, the tide was high, and the power station was venting steam from its turbines after producing electricity for the early morning rush hour. This friendly mushroom cloud of water vapor always catches my eye and constantly plays in my head for a possible future sculpture.
On shown at the RWA Photo Open in 2023
https://www.rwa.org.uk/products/bristol-photo-festival-rwa-photography-open-exhibition
My work remains rooted in engineering. It’s the hidden technology that interests me, the things that surround us that you never really notice until they reveal themselves in that single moment. Living near Avonmouth for most of my life, allowed me to explore this alien industrial landscape of structures and factories that sit in a vista untouched for thousands of years. It was sunrise early in the morning, the wind was non-existent, the tide was high, and the power station was venting steam from its turbines after producing electricity for the early morning rush hour. This friendly mushroom cloud of water vapor always catches my eye and constantly plays in my head for a possible future sculpture.
On shown at the RWA Photo Open in 2023
https://www.rwa.org.uk/products/bristol-photo-festival-rwa-photography-open-exhibition
'Between 2020' Bronze wire
15 x 10 x 15 cm
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'Dorsum' 2020 Bronze wire 15 x 10 x 15 cm
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'Left & Right' 2020 Bronze 12 x 10 x 14 cm
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Whole and Black Sun
These were originally based on fluid calculations for moving an object faster than sound. The resulting image was then re-rendered for moving an object faster than light through space and a perceived fluid dark fluid; Dark matter and dark energy a repulsive force that makes the universe expand at an accelerating rate. The two have always been treated as separate phenomena. They may in theory both be part of the same strange concept – a single, unified negative mass “dark fluid”.
'Black Sun' 2018 Woodblock print 89 h x 79 w x 4 d cm.
'Behold' 2018 Oak blocks and UV print. 48 x 48 x 3 cm
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'Whole' 2018 Woodblock print 89 h x 79 w x 4 d cm.
'Horizon' 2018 Chalk pastels and folded paper boxes. 117 x 117 x 8 cm
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'Shipped' 2009 print
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'Jets' 2006
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'Tower' 2003
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'Phoresis' 2007 Ceramic slip drawing
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'In Between Chairs' 2007 Ceramic slip drawing
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Ceramic Slip drawings RWA Open sculpture 2003
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